Electric Kush

Name	Time	Liner Notes
Fork in the Road	1:54	PG-rated Cajun number...(For language.)
The Soul of Vocal Processing	1:26	A chorale piece. Kush sang all of the parts --- Just kidding.
Geetar	1:48	Imagine 5 guitarists, each with a different style of playing, sometimes in harmony, sometimes trying to outdo each other.
No Question	0:48	One of our personal favorites; short is beautiful.
5 Things I Want	1:29	Jazz, baby…In that big band style.
21st Century	1:40	Wow, it’s the 21^st Century – And it’s the same old thing…
Convention	1:47	Why do we wear ties? More importantly, this piece is written in an unconventional style with no chords, just intersecting melodic lines.
I Feel So Put Upon	1:04	We wrote this as a cure for manic depression.
Ism	1:47	We're tired of everyone pigeon-holing each other with various isms, from socialism or fascism to Catholicism or Judaism – Can’t we all just get along?
Warneldo	1:01	To my bro, from Kush
Haze Over You	1:32	Written while actually seeing a haze at the West 4^th St subway stop, drummers beating out rhythms on old, large salad buckets.
Go Around Once With Digital Earl	1:24	Down home with Digital Earl, compliments of Garageband.
Valentine's Day	2:08	Opening Line, ”She put a stake in my heart. Welcome to Valentine’s Day.”
You Think You Have it So Bad?	2:29	A heartwarming ditty to remind us all there are others who are always worse off than we are, which should cheer you up.
BONUS PIECE:
Classchangekey	4:27	A classical piece for full symphony in 3 short parts. Part 2 is a piano scherzo.

Some Liner Notes From Kush

2010 was a very productive year in my musical journey as I wrote 398 tunes, (more than one a day) spurred on by a series of cosmic, equally important events. First and foremost was the collaboration with my old friend Dr. Henry Karlin. Way back in the 1960’s, we wrote songs together for the infamous band “Tar & Feather”. 40 years later, the muse struck and we created hundreds of new tunes. Second, I started working with Tony Coluccio of Global Media Music who tutored me on the art of going digital. Finally, and equally important was the transition of going from an analog musical world of playing the piano to going digital with the help of Apple’s Garageband, a music software program with 'virtual instruments'. Thus, “Electric Kush”.

We’d like to thank Tony Coluccio of Global Media Music for production, nuance and support and Anthony Mirabella,percussionist on Soul of Vocal Processing, Geetar and 5 Things I Want. http://www.globalmediamusic.com